autor fotografije:
Jasminka N. Đorđević
Liquescens - Mina Petrić
Liquescens is a photographic exhibition of performance at a festival for theatre. Can it capture the live medium of theatre through its static frame?
Liquescens - the Latin for 'liquification' - contains photographs made by Daniel Grünfeld during the final stage of production of German dance piece The Virgin's Voice. It is a series of long exposures, attempting to track the movement of the dancers.
Pulse - Ričard Petifer
As a spectator, I want certain things from theatre, and they're not rocket science. I want to feel human again. I want to understand human struggle. I want to feel empathy. I want to learn. I want to be free - even if it's just for a moment - from the restraints and oppressions which govern me. I want someone - if they are going to perform for me, and make me sit there in silent contract - to do these things on my behalf. Or to try, in a human way.
As a spectator, I want these things. As a critic: I demand them.
Pulse - Ružica Anja Tadić
Inner Lights - Nina Vurdelja
INNER LIGHTS: DARKNESS
Have You Seen Don Quixote - Irina Subakov
OF MEN AND MEN
The fifteen minute long performance of "Have you seen Don Quixote?", POD theatre Belgrade, took place in the atrium of the festival PatosOFFiranje, amongst spectators, salesmen, artists and drunken adolescents. In this lovely medieval-like atmosphere of a city square, reminiscent of joungleurs, street artists and clowns, the theatrical cohesion was evident in a way so rarely witnessed nowadays. Moving swiftly in its pace, the show aims to cover similar ground to another performance we have seen during the festival ("Inner lights", PATOS Smederevo) - the entire nakedness of human life. But despite this not exactly humble goal, the play refuses to become a pretentious metaphysical masturbation and instead comes, delivers and leaves the spectators in a kind of daze and subconscious questioning.
Oči - Ružica Anja Tadić
Moja prva impresije su aktuelno i savremeno. Ono što želim da istaknem na samom početku jeste pitanje kako u mnoštvu savremenih tokova načiniti selekciju onih aktuelnih. Tu se nameće pitanje personalne važnosti teme za izvođača, a u ovom izvođenju je upravo to transparentno. Grupa mladih amatera obrađuje temu osuđivanja smeštajući je u okvir i pogled na svet jednog boemskog, sanjivog pogleda madića željnog vrednosti koje su u izvesnom smislu zastarele, ali i potlačene u odnosu na vrednosti koje nam se nameću putem medija. Problematika nametljivosti određenih obrazaca ponašanja mladoj osobi koja tek nalazi svoju ulogu u društvu, nešto je što našeg protagonistu inspiriše na izazov, simbolično nazvan „Oči“.
Charlotte - Dušan Štrbac
Tišina - Marija Stojković
Da li te društvo prihvata ili je bitno kog si pola, rase, mentaliteta? Da li si gluva, slepa, nema osoba ili si samo „normalan“? Stavi prst na čelo i zapitaj se kako ti čuješ „Tišinu“. Pleši kao da je vidiš i osećaš.
Uđi kroz „Tišinu“ ERGstatus teatra u svet jednog Stojana, prvog Srpskog gluvog igrača savremenog plesa.